SYNAPSIS (2024) for amplified vocal sextet, analog vocoder, and pipe organ

flourishes (2022) for piano

fifths in tenths (2022) A short etude for piano.

near-infrared (2022) A short etude in fourths for piano, inspired by the journey and mission of the James Webb Space Telescope.

My submission for Spitfire Audio’s “Haunted House” scoring competition:

Silent film score for a cappella choir; scene from The Fall of the House of Usher (1928). Performed by C3LA.

ĒOSTRE for double brass quintet (2021)

springtime (2020) gentle, unassuming orchestral music set to public domain nature videos edited together by me (2020)

squirrels (2020) some cartoonish orchestral music set to public domain videos of squirrels edited together by me

My original score submission for 2020 Westworld / Spitfire Audio Scoring Competition:

Orchestration of Moby’s We Are All Made of Stars, performed by Gustavo Dudamel & the Los Angeles Philharmonic

Here is an animated short film I scored called We the Divided (directed by Ryan Chen).

Performance Jo-Michael Scheibe & the USC Chamber Singers of my arrangement of True Colors

Sitivit Anima Mea (My Soul Has Thirsted) performed by director Joshua Copeland & The Antioch Chamber Ensemble

My graphically-scored work for choir, DEMON

A Lament for the Dead Pets of Our Childhood, performed here by director Lincoln Hanks & the Pepperdine University Women’s Choir

My piece for SATB choir + piano, Another Lullaby for Insomniacs, performed here by director Donald McNally & The Crossing (Philadelphia, PA)

A 2019 Icelandic performance of The Speaking Silence for soprano + guitar quartet

A trailer for my performances with the Los Angeles Master Chorale of Orlando di Lassus’s masterpiece, Lagrime di San Pietro (Tears of St Peter),
directed by Grant Gershon & staged by Peter Sellars

A virtual performance Alice Parker’s Hark! I Hear the Harps Eternal that I participated in with the Los Angeles Master Chorale